Linda Holmes

Credit Chris Hartlove
for NPR

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

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Monkey See
12:09 pm
Wed March 21, 2012

Tebow, Tailgating, And Team Loyalty: Why The NFL Needs Nice Guys More Than Ever

Credit Al Bello / Getty Images
Tim Tebow of the Denver Broncos kneels and prays with teammates and members of the New England Patriots after the Patriots won 45-10 during their AFC Divisional Playoff Game at Gillette Stadium on January 14, 2012.
Monkey See
8:24 am
Tue March 20, 2012

Cheaper Clothes And Shorter Stories: On Soaps, Strange 'Days' Indeed

Credit Mitchell Haaseth / NBC Universal
Peter Reckell as Bo Brady and Kristian Alfonso as Hope Williams Brady: still at it after all these years.

It's not easy being one of the last soaps standing, as Neda Ulaby reports on today's Morning Edition. For fans, the shuttering of iconic shows like All My Children and Guiding Light has upended routines that, for some, date back to childhood. When I was in high school, my soap of choice was Days Of Our Lives, which Neda says has changed a lot since that era — well, it's changed and it hasn't.

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Monkey See
12:42 am
Mon February 27, 2012

'Artist' Comes Out On Top As Oscars Regroup, Reminisce

Originally published on Wed May 23, 2012 11:00 am

It's perhaps fitting that during a year when Hollywood made even more films than usual about the love of film itself, the two big winners at the 84th Academy Awards on Sunday night were the movies most overtly about cinephilia: The Artist, a silent black-and-white film about silent black-and-white films, and Hugo, the story of a boy who meets a reclusive filmmaker and helps him rediscover his love of his art.

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Monkey See
10:01 am
Tue January 24, 2012

Oscar Nominations: 'Hugo' Leads, But Expect An 'Extremely Loud' Outcry

Credit David Lee / Warner Bros. Pictures
Thomas Horn stars as a grieving boy in Extremely Loud And Incredibly Close — dismissed by many critics but nominated for Best Picture.

Originally published on Tue January 24, 2012 12:12 pm

In the end, there were nine nominees for Best Picture announced on Tuesday morning, and eight of them were entirely predictable: The Artist, The Descendants, The Help, Hugo, Midnight In Paris, War Horse, The Tree Of Life, and Moneyball.

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Monkey See
12:01 am
Fri December 30, 2011

A Complex 'Separation' In Iran

Credit Habib Madjidi / Sony Pictures Classics
Leila Hatami as Simin in Asghar Farhadi's A Separation.

The Iranian drama A Separation has popped up on more than a few critics' lists of the best films of 2011, despite little exposure in the U.S. thus far. It will open in limited release December 30, and as Howie Movshovitz of Colorado Public Radio reports on Friday's Morning Edition, it serves as both a family drama and a piece of social observation about life in Iran.

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Monkey See
12:34 pm
Thu December 22, 2011

Holiday Greetings From The World Of Politics: Dogs, Churches, And Plaid Shirts

Monkey See
12:01 am
Fri December 16, 2011

Diablo Cody Explores The Ugly Side Of Pretty In 'Young Adult'

Credit Phillip V. Caruso / Paramount Pictures
Charlize Theron plays Mavis Gary in Young Adult.

Charlize Theron is ugly in Young Adult, the new film from the Juno team of director Jason Reitman and screenwriter Diablo Cody — both literally and personally. In parts of the film, she still looks like her knockout movie-star self, but in other parts, she looks like she's aged a year for every day since her character, Mavis Gary, left high school.

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