World Cafe

Calvin Cooke, Aubrey Ghent and brothers Darrick and Chuck Campbell are The Slide Brothers. The band's self-titled album debut album was produced by Robert Randolph, the spectacular young pedal-steel guitarist who became the first player from the Sacred Steel tradition to break out to a wider audience.

On this installment of World Café, the band plays three songs from its album and tells host David Dye about the difference between performing for the congregation at Church of the Living God and playing on club and concert stages.

It's easy to hear the steady growth in the music of Phosphorescent's Matthew Houck since the release of his band's 2009 Willie Nelson tribute album, To Willie. In 2011, Here's to Taking It Easy was a sprawling, languid epic written with his road band's performances in mind.

Seattle's Hey Marseilles formed around the collaboration between singer Matt Bishop and guitarist Nick Ward, back when the two were students at the University of Washington. The band has since grown into the septet that recorded Hey Marseilles' sincere and endearing new album, Lines We Trace.

The members of London's Treetop Flyers capture the sound of California folk-rock in the '60s on their debut album, The Mountain Moves. They met on the periphery of the London folk scene that gave the world Mumford & Sons and Laura Marling.

Australian singer-songwriter Nick Cave recently re-formed his band The Bad Seeds, minus founding member Mick Harvey on guitar, to record a new album called Push the Sky Away. On this installment of World Café, you'll hear a tremendous performance from the elegant, intensely emotive band.

It's hard to find another band that's stayed as true to its vision as Low. Alan Sparhawk and Mimi Parker have been making Low records for 20 years now, and just released their 10th full-length album, The Invisible Way.

The first incarnation of the Seattle band Pickwick revolved around Galen Disston's strummy acoustic songs. Disston eventually found himself bored with his own music until a not-so-subtle shift took place; the band began experimenting with new sounds and ideas, Disston shifted into the role of lead singer and crowds immediately noticed.

In this installment of World Cafe, you'll hear three songs from Pickwick's debut (Can't Talk Medicine), as well as the full story behind the band's reinvention.

The fact that Matt Pond has dropped the vestigial "PA" from the end of his moniker has more to do with geography than sound. On this episode of World Cafe, we learn why the singer-songwriter (and former Philadelphian) has moved around so much — it's all for love.

Pond does tell host David Dye what hasn't changed: his always likable voice and an ability to write heartfelt songs with melodies that stick.

A little reinvention never hurt anyone. Nashville singers Jordan Meredith and Louis Johnson met in St. Augustine, Fla., and quickly discovered how well their voices blended together, so they moved to New York City and formed Augustine.

The duo, which now resides in Nashville, has since become The Saint Johns, and recently released its gorgeous new songs on a free downloadable EP. Listen to two songs from The Live Sessions here.

Dawes' Taylor Goldsmith writes heartfelt first-person songs, somewhat in the style of Laurel Canyon predecessors like Jackson Browne. In an exhaustive interview with World Cafe's Michaela Majoun, Goldsmith describes the inspiration for the songs on the band's new album, Stories Don't End.