Elizabeth Blair

Elizabeth Blair is a Senior Producer/Reporter on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

If you're into "slow food" — the ethical response to "fast food" — you probably want to know how the animals were treated or whether pesticides were used on your vegetables. Now, the "slow fashion" movement is in the same spirit.

"It's about understanding the process or the origins of how things are made," says Soraya Darabi, co-founder of the clothing line Zady. "Where our products come from, how they're constructed and by whom. Slow fashion is really indicative of a movement of people who want to literally slow down."

What makes a great teacher great? That's the question at the heart of 50 Great Teachers, from the NPR Ed Team.

Diana Agrest believes architecture is so much more than a marriage of form and function. For more than four decades, she's been trying to get her students to believe that too.

As PBS enjoys the success of shows like Downton Abbey and Antiques Roadshow, documentary filmmakers feel they're being marginalized.

Two signature documentary shows on PBS — POV and Independent Lens — air rigorous, in-depth reports about difficult issues often set in minority communities. They also enjoy a prime time slot on many stations, including New York City's WNET, one of the largest PBS member stations in the country.

Peabody and Emmy Award winning filmmaker Bruce Sinofsky has died at age 58.

Sinofsky and his longtime co-director, Joe Berlinger, made such acclaimed documentaries as Some Kind of Monster, about the heavy metal band Metallica and Brother's Keeper, about four brothers in rural upstate New York. They are perhaps best known for Paradise Lost, a trilogy of films about three teenagers convicted of killing three little boys in West Memphis, Ark.

Despite a 2011 firebombing at the Charlie Hebdo offices, and continuing threats and heightened security around the building, according to its editor-in-chief, the staff of the weekly never slowed down.

Red means stop; green means go. You live in a red or a blue state. You feel green with envy, or you're tickled pink. Colors alert, provoke, attract, divide and unite us.

Thinkers from Plato to Einstein to a new cottage industry of color psychologists have studied the importance of color in our daily lives. But, as Joann and Arielle Eckstut write in their book The Secret Language of Color: "Anyone who claims to be an expert on color is a liar."

Like it or not, television has the power to shape our perceptions of the world. So what do sitcoms, dramas and reality TV say about poor people?

In life and on TV, "poor" is relative. Take breakfast: For Honey Boo Boo's family, it's microwaved sausage and pancake sandwiches; for children in The Wire's Baltimore ghetto, it's a juice box and a bag of chips before school; and on Good Times, set in the Chicago projects back in the 1970s, it was a healthier choice: oatmeal.

It would have been the biggest deal the pharmaceutical industry has seen in more than a decade. But for now, it's off the table.

Pfizer has withdrawn its offer to buy British drug company AstraZeneca for about $119 billion.

American pharmaceutical giant Pfizer, which makes Lipitor and Viagra, has been circling its smaller rival AstraZeneca for months.

AstraZeneca, which makes Nexium and Crestor, has rejected every offer saying Pfizer undervalues the company, and that it wants to remain independent.

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